Picturing America Cataloging Tips

There are two basic methods that can be used to catalog your Picturing America grant. Depending on how your library plans to track usage of the materials, you may wish to catalog the collection as a set, or each item within the collection separately. There are cataloging records available to support both methods. Marlene Harris, Support Services Division Director at the Alachua County Library Districtexternal link has created the following tips to support libraries in their efforts to catalog the Picturing America collection. If you have additional questions related to cataloging, please post them to the forum.

Cataloging the collection as a set

If your library chooses to store and track usage of Picturing America as a complete set, there is an OCLC record for the complete collection. The record number is #213436483. If your library has access to Worldcat through First Search, you can view the record there. If your library does not have access to OCLC Cataloging or First Search, you can view most of the record at WorldCatexternal link. The OCLC record number is searchable at worldcat.org using the accession number search on the advanced search screen. The one part of the record that will not appear in either First Search or worldcat.org is the call number. The suggested DDC call number for the set is 709.73. The suggested LC Class number is N353.P52 2007.

Cataloging collection materials individually

Some libraries may choose to track usage of each piece of the Picturing America collection separately. The pictures are beautiful, and libraries may want to have different pictures at different locations, or have the ability to send the teachers’ guide out in advance of sending the rest of the collection. Fortunately, there are individual records available for each piece of the Picturing America collection.

For cataloging purposes, a list of OCLC record numbers for the individual pieces of the Picturing America collection appears below. These numbers may be used to conduct a search through OCLC Connexion, OCLC First Search, or worldcat.org, which is available free to everyone.

OCLC Record # Poster # and Title
#269332249 Teachers’ Resource Book
#227210595

1A—Pottery and Baskets, c. 1100 to c. 1960, Various artists

1B—Mission Nuestra Señora de la Concepción, San Antonio, Texas, 1755, Various artists

#227210374

2A—John Singleton Copley, Paul Revere, 1768

2B— Silver of the 18th, 19th, and 20th Centuries

#227210208

3A—Grant Wood, The Midnight Ride of Paul Revere, 1931

3B—Gilbert Stuart, George Washington (the Lansdowne portrait), 1796

#227210105

4A—Emanuel Leutze,Washington Crossing the Delaware, 1851

4B—Hiram Powers, Benjamin Franklin, 1862

#227209887

5A—Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836

5B—N. C.Wyeth, Last of the Mohicans, cover illustration, 1919

#227209648

6A—John James Audubon, American Flamingo, 1838

6B—George Catlin, Catlin Painting the Portrait of Mah-to-toh-pa—Mandan, 1861/1869

#227209198

7A—Thomas Cole and others, State Capitol, Columbus, Ohio, 1838–1861

7B—George Caleb Bingham, The County Election, 1852

#227209043

8A—Albert Bierstadt, Looking Down Yosemite Valley, California, 1865

8B—Black Hawk, “Sans Arc Lakota” Ledger Book, 1880–1881

#227208919

9A—Winslow Homer, The Veteran in a New Field, 1865

9B—Alexander Gardner, Abraham Lincoln, Pres., U.S., 1809–1865, 1865

#227208818

10A—Augustus Saint-Gaudens, Robert Gould Shaw and the 54th Regiment Memorial, 1884–1897

10B—Quilts of the 19th and 20th Centuries, Various artists

#227208698

11A—Thomas Eakins, John Biglin in a Single Scull, c. 1873

11B—James McNeill Whistler, Harmony in Blue and Gold: The Peacock Room, 1876–1877

#269412575

12A—John Singer Sargent, Portrait of a Boy, 1890

12B—Childe Hassam, Allies Day, May 1917, 1917

#227208145

13A—Walker Evans, Brooklyn Bridge, New York, 1929

13B—Louis Comfort Tiffany, Autumn Landscape, 1923–1924

#227208061

14A—Mary Cassatt, The Boating Party, 1893/1894

14B—Joseph Stella, Brooklyn Bridge, c. 1919–1920

#227207677

15A—Charles Sheeler, American Landscape, 1930

15B—William Van Alen, The Chrysler Building, 1926–1930

#227207560

16A—Edward Hopper, House by the Railroad, 1925

16B—Frank Lloyd Wright, Fallingwater, 1935–1939

#227207465

17A—Jacob Lawrence, The Migration of the Negro Panel no. 57, 1940–1941

17B—Romare Bearden, The Dove, 1964

#227207365

18A—Thomas Hart Benton, The Sources of Country Music, 1975

18B—Dorothea Lange, Migrant Mother and Children, 1936

#227207240

19A—Norman Rockwell, Freedom of Speech, The Saturday Evening Post 1943, 1943

19B—James Karales, Selma-to-Montgomery March for Voting Rights in 1965, 1965

#227206693

20A—Richard Diebenkorn, Cityscape I, 1963

20B—Martin Puryear, Ladder for Booker T.Washington, 1996

Please note that recommended call numbers have not been included above because, except for the Teachers’ Resource Book, the records do not include a recommended call number.